The 12^th house is one of the most difficult to understand.  But when we experience 12^th house issues, we can connect with them directly.  Patrick Bringley’s book All the Beauty in the World: the Metropolitan Museum of Art and Me seems to share such a 12^th house journey in a compelling way.

Horary practitioners relate the 12^th house to disappointments, sorrow, affliction, even imprisonment.  Planets here may show a focus on the wounded, hospitalized or withdrawn.  Al H. Morrison related the 12^th to people who retreat from society to meditate, who turn inward or connect with inner guidance.

Patrick Bringley’s book chronicles his experiences following the death of his brother.  He could no longer tolerate a somewhat superficial job that required him to spend his days in front of a computer.  He had found meaning in art and instead became a security guard at the Museum of Modern Art in Manhattan.  At this 12^th house institution, his co-workers joked they had “nothing to do and all day to do it.”  Bringley added that “Guards are nothing but secret selves in dark blue suits.”   He worked at the museum for 10 years, recovering from the loss of his brother and becoming a husband and father along the way.

The experience of loss, his low profile position and his escape from the achievement-oriented world are all 12^th house affairs.  So is suffering, which many of the artists experienced as well.  Their works capture the sublime and ineffable, and transcend time and place.  They celebrate “the making of anything worthwhile in a world that so often resists our efforts.”  The author shares that, “Artists create records of transitory moments, appearing to stop their clocks.”  “Such moments provide solace; they are heartwarming; they are pure.”  “They help us believe that some things aren’t transitory at all but rather remain beautiful, true, majestic, sad and joyful over many lifetimes – and here is the proof.”

Bringley shares his impressions of a Michelangelo sketch, done while painting the Sistine Chapel, with a note saying, “I am not in a good place and I am no painter.”  The artist begged to be released but the Pope refused him.  In his 70s he was similarly assigned as the architect to complete St. Peter’s Basilica in Rome, “to his intense dismay and completely against his will.”

Fra Angelico’s Crucifixion “reminds us again of the obvious:  that we’re mortal, that we suffer, that bravery in suffering is beautiful, that loss inspires love and lamentation.”  The best art puts us “in touch with something we know intimately yet remains beyond our comprehension.”  All 12^th house.

Bringley shares his musings on many other works, old and new, from around the globe.  We learn of his experiences with his warm co-workers and the patrons of the museum.  Like the artists he’s come to know, Patrick Bringley connects us with something transcendental and metaphysical.  I am definitely not a fine arts person, but I loved this book.  It illuminates the 12^th house, not as a long, dark journey of the soul but a celebration of the cycles of life.  I found the print and audiobook are equally well done.

Find All the Beauty in the World at Amazon.